Wednesday, November 18, 2015

4 Reasons Why Ant-Man is the Best Superhero Movie to Date

Ant-Man is the type of movie I could watch over and over and over again.  As a matter of fact, I have.  I’ve just completed my fourth viewing with my son last night.  



So, why the repeats?  Don’t I have anything better to do?  Yes, I do.  The problem is that this is the best superhero movie made to date!  I feel obligated to watch it over and over.  I do have my reasons for this irrational viewing schedule and here are 4 of them (in no particular order):

1.)  This is a breakout performance for Paul Rudd:

I’m a fan of Paul Rudd.  Not a huge fan, but a fan nonetheless.  He is remarkably funny and seems to be riding the rocket to fame due to his...well....funniness.  So, when I saw that he was cast in this, what I perceived to be, serious part I thought the movie was doomed.  Sure, there are superheroes that have made funniness the keystone of their popularity (such as Deadpool), but Ant-Man isn’t one of them.

I’m thrilled to report that I was dead wrong in thinking he was a poor decision.

Although the brilliant writers for this movie inserted many a humorous spot in the movie, Paul Rudd made them all the more funny.  Then, adding the antics of Michael Peña, you had what turned out to be a fantastic duo.  Who’d have guessed?  Apparently, the casting crew did.  Paul’s performance seems to have increased the variety of roles he can play in future movies.



2.)  The Special Effects:

This reason has an exception to it.  I was impressed by all the special effects in the MOVIE.  The odd thing is that the worst special effect was the movie PHOTO they are using for iTunes:


It looks great from far away, but as you step closer it looks doctored.


The head looks like it was photoshopped onto the body.  Now, whether it was or it wasn’t isn’t the point.  The point is it LOOKS like it was.  Some of you may disagree, but it leads me to wonder why they would spend so much time and money on special effects only to have a promo photo look crappy.  Anyway, let’s get away from the negative and focus on the positive.

The special effects in this movie are only rivaled by those used in Guardians of the Galaxy.


Whether Paul was riding an ant, floating on a raft of ants, or having Thomas the Tank Engine jettison from his second floor window, these were easily some of the best special effects I have ever seen.

(Thomas the Tank Engine was played by this little boy in the movie.  It’s hard to see the little boy in this picture because of the superb tailoring of the costume, but if you squint a little bit you can kind of see him.*)

All kidding aside, my hat is off again to Paul Rudd, and all the actors and actresses, who had to do their parts with nothing else on the set but blue screen.  In interviews with actor and actresses that have done parts such as this they all say how difficult it can be not only in speaking, but also in having the proper head and eye movements and appropriate body positioning.


3.)  Anyone can enjoy this movie:

The overall view of comic books, and the stories therein, has changed dramatically since I was a kid (and that’s a long time ago, you know...when rocks were still soft.)  Comic books weren’t so mainstream and they weren’t easy to come by.  You saw them in the corner pharmacy or market, but there were no stores that handled ONLY comic books.  It was also a time where comic books were meant for kids only.  The only time you ever saw an adult with a comic was if they were bringing it home for their kid(s) (or at least that was their excuse).  So, if a comic book movie came out back then it would be attended strictly by parents who were 'taking their kids'.   Nowadays it’s different.   With ComicCons, adult storylines, advanced special effects, many new characters, etc. it’s no longer just a kids thing.

In this day and age there are kids and adults who have their favorite characters, with each generation wanting to see the movies for different reasons.  It’s also a great way for parents to hang out with their kids.  The point is, even if you aren’t a fan of superheroes, this is a great movie.  Consider also the fact that this movie is really a standalone movie.  In other words, you don’t have to see ANYTHING else than this movie to understand it; there’s no cliffhanger ending that forces you to see the next one or a vague beginning where you had to have read 10 comics to understand where Ant-Man came from.  It’s just a great movie all by its lonesome.



4.)  Ant-Man is Cool!  (I’d say “Again” but I didn’t think he was cool to start with..):

Ant-Man was introduced in Tales to Astonish #27 in January of 1962 (hence the humor when, in the movie, there was a reference to Ant-Man not being some fictional “Tale to Astonish”, but I’m sure you caught it.)  He was just basically a guy who could shrink.  Big whoop.  He could talk to ants.  Another big whoop.  In addition, the other person who played Ant-Man in the comics was Hank Pym who was a mental train-wreck, a genius, and a wife-beater.  Sure, he was a co-founder of the Avengers, but his star wasn’t rising anytime soon.  Ant-Man was just not interesting or ‘heroic’.

In comes the movie.

Paul Rudd, as stated before, does an outstanding job playing Ant-Man.  His supporting cast is amazing.  The special effects and the costume designed for him were incredible.  Most importantly, he showed WHY Ant-Man is a superhero that can take on the likes of the Falcon and Yellowjacket.  It’s a transformation that had Marvel give him his own comic book, appearances in several other titles, people dressing up as him at ComicCons and the making of another Ant-Man movie.  

Now the real question is, “Is the bandwagon big enough to hold all the Ant-Man fans?”.  Personally, I love it.  Anyone starting to enjoy comic books and their characters is welcome in my home.  The part that gets me, though, is the person who says, “Ant-Man was always my favorite superhero.”  Ummm, yeah, OK.  I think it’s great that you have a newfound love of Ant-Man (as I do too) but let’s not go overboard.  I’ve been collecting, buying, selling and appraising for the better part of 45 years and, prior to the movie, I had never heard ANYONE even put Ant-Man in their top 50 favorite heroes.  



All that being said, I’m a convert.  The movie was EXTREMELY well done and broke through all the mental barriers I had about Ant-Man.  And, to all of you who have found a place for Ant-Man in your collections, or you just love the movies, I’m glad you did/do.  There’s always room for another comic book/comic character fan.  I hope to meet you one day.

Oh, one more thing, was I the only one who thought of a list of jobs for the ants around my house?  Fixing the screen door, folding the laundry, cleaning the bathrooms, getting rid of the ants in my kitch....

* - I was kidding.  There was no little boy playing Thomas the Tank Engine in the movie and there is no little boy in this photo either, so stop squinting.

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Tuesday, November 17, 2015

Klaus #1 - By BOOM! Studios! - A Review of the Highly Anticipated Title

I can’t think of many comics that have been anticipated as much as this one has...at least in the circles I hang out with.  Even when I went in to pick up my copy yesterday there was someone asking if they could order it or, if by some fluke, there was one in the back room.  He couldn’t and there wasn’t.  The gentleman was not happy.

So, why the anticipation?  It’s hard to say as I have heard a number of reasons.  One is that Grant Morrison https://en.wikipedia.org/wiki/Grant_Morrison is part of the project.  Take a look at the link next to his name and you’ll see why.  That is to say nothing of the illustrative genius of Dan Mora.  Currently working on the hit series “Hexed” he is clearly one of the up and coming superstars in the ranks of the illustrators.  This comic has a style all its own and the artwork is a big piece of that style.





The second is that it is supposed to be based on the origin of Santa Claus based on Viking Lore and Siberian Shamanism.  So, this isn’t your typical ‘Rankin Bass’ production (the older folks in the crowd will get this joke).  Klaus obviously hits the gym, has the ‘Mountain Man’ facial hair, and is accompanied by a wolf named “Lilli”.  This isn’t your dad’s Santa Claus.

Last, it has the marketing draw by being a limited series.  Part of what you learn in Marketing 101 in college is that anything that has a limited number is automatically more valuable than something you can get anywhere at any time.  “Klaus” is a 6 issue series and, by the looks of the first issue, it won’t be easy to wait for upcoming issues.

Wow, all of this and we didn’t even get to the storyline yet.

Let’s get started:

Klaus: How Santa Claus Began appears to be set in the distant past.  Although it doesn’t give any specific years, it is clear that it wasn’t in the past 10 years.  I deduced this through the following:

     -Klaus is dressed in animal pelts, is not clean shaven, and seems to be lacking a smartphone.
     -All payments are done through the bartering of animal pelts, food, or some other form of trade.
      No one takes Apple Pay.
     -The spoiled brat (which we will address a little later) is disappointed with a toy.  I noted with a          
      keen eye that the toy required no batteries, didn’t plug in, and had no wireless functionality.
     -Lastly, the most advanced weapons were spears and swords and there was a distinct lack of  
      atomic colliders.




In other words, it was a perfect setting.  One which requires us to use our imagination.  Now, lets get serious.

The story starts with Klaus (as of right now we don’t know if that’s a first name, last name or only name) visiting a town that had welcomed him in the past.  The town, the town of Grimsvig, appears to have changed dramatically since Klaus’ last visit.

     -Strangers are no longer welcomed.
     -Old Man Gunderson, who used to run the bar, is now gone because he “said the wrong thing one
      too many times.”
     -Food is scarce and the Ale is watered down.
     -Children are no longer allowed to have toys or play in the street.  Even a stone is considered a toy
      and confiscated.

There is also a power structure in town that frowns upon change that would favor anyone but them.  They are Lord Magnus and Lady Dagmar and their spoiled brat of a son (and presumed ruler), Jonas. You will despise them almost immediately to the credit of Morrison and Mora.

Without being a spoiler to those of you who have not purchased and/or read it yet, Klaus is deemed “not welcome” by the leadership.  In a scene similar to “Goodfellas”, Klaus is walked out of town by a group of guards intent on killing him.  This being the Norse version of ‘taking someone for a ride’.  The result is that it doesn’t work out as well as the guards had hoped and Lilli get’s some much needed playtime.  You’ll have to read it from there to see what happens next.

The writing is outstanding in the way that it defines each character from the start.  There are no punches pulled with Klaus being called “Wild Man” by some members in the town, the first time you see Jonas he is smashing a “Yuletime” present that took the town craftsmen all year to make, children are openly beaten in the streets, and the leadership loves no one but themselves.  As character development is crucial to any story it is not always a good idea to try to rush through this part in the first issue.  It was clearly a good idea with Klaus.

The artistry clearly takes on life of its own in Klaus.  The reader feels the cold temperature, the isolation of the town, and the utter hopelessness of trying to take on the wilds on your own.  On one page you are just walking with Klaus and hearing his thoughts, the next you’re in a town fraught with danger, then you’re in a fight scene that involves a wolf and, toward the end, you are traveling with Klaus through what could only be called a technicolor dream.  Whereas some panels are restricted to 3 very bland colors the dream is like an acid flash from the 70’s, displaying every color imaginable.  Klaus seems to try every visual trick imaginable to keep the reader entranced.

There was one thing that struck me hard, however, and that was the similarity between this story and the story of “The Burgermeister Meisterburger” from 40 years ago (seen here http://christmas-specials.wikia.com/wiki/Burgermeister_Meisterburger).  It also had no kids being allowed to play in the streets, toys being confiscated, strangers being unwelcome and food being scarce.  I was almost turned off that it so closely resembled that Christmas special from my youth.  Then I thought about it.  The legends, upon which these stories are based, probably don’t change much in their foundation.  In other words, if I took every version of this story told through the years, I probably wouldn’t see too many variations in the core of the story.  The difference in the stories we hear today about Santa Claus, then, could only be in the interpretations of the characters and the variations on the plot line.  Issue solved, case closed.



The bottom line is that the origin of Santa Claus is a tale told dozens of times in dozens of ways...but this one is different.   This one takes a step away from the “cutesy” approach and dares to look at a variation that’s a little more feral.  Whether you are a fan of solid story writing or an admirer of artwork, or maybe even just someone who loves the origins of myths and legends, Klaus is a must have.

So, put on a fur lined coat, build a fire, snuggle up with your German Shepherd/Siberian Husky (or other wolf variant), chomp on some beef jerky and read Klaus.  It’s a great way to spend a winter’s night.

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Sunday, November 15, 2015

The Infinity War - Understanding the Stones and the Glove in the Center of it all

The dates are available on just about any comic website:

Part 1 of the Infinity War is in theaters in May of 2018
Part 2 of the Infinity War is in theaters in May of 2019



Yay!  I mean....wait....what is the Infinity War?

The Infinity War will be the fight for the six Infinity Gems (Infinity “Stones” in the movies), or Soul gems as they were originally dubbed when introduced in Marvel Comics in the 70’s.  The Gems are six powerful, and indestructible, artifacts...the most powerful in the Marvel Universe.  The interesting thing is that although they each have a unique incredibly powerful property they can also be used together to cause even more havoc (the whole being greater than the sum of its parts).  In other words, they can grant the power of a god.

Not sure what the stones are or the power they represent?  Here’s a brief overview (and, yes, there are inconsistencies between the comic books and the movies in regard to color and power....sigh.  See below.):



Tesseract - The Space Stone

This gem was seen in both Captain America (used by Red Skull) and The Avengers (used by Loki).  The Tesseract is a blue stone capable of teleporting anything from point ‘a’ to point ‘b’.  Thor supposedly took it back to his homeworld of Asgard at the end of The Avengers.



Aether - The Reality Stone:

The Aether was represented by a red floating liquid like thingy that appears to connect itself to a host and make it...well...stronger.  As an aside, this is not how it was in the comics.  In the comics it was focused more on wish fulfillment.  The only appearance, so far, was in Thor: The Dark World.  It was given to The Collector for safekeeping by the end of the film.  No one is sure if its still there after the end of Guardians of the Galaxy where The Collector’s home is destroyed.



Orb - The Power Stone:

The destruction of The Collector’s home, as discussed above, was caused by this stone.  This stone gives the wielder immense power.  It can give superhuman strength and the ability to wipe out planets, just by touching the surface.  At the end of Guardians of the Galaxy this stone was being housed by the intergalactic police known as Nova Corps.



Loki’s Scepter/Vision’s Forehead - The Mind Stone:

Marvel tricked you!  (well...me too)  Loki’s blue-glowing scepter was the home of the yellow infinity stone!  As seen in The Avengers, the mind stone allows the bearer to control the minds of others (hence the name “The Mind Stone”).



The Soul Stone:

This one hasn’t made its appearance yet.  If you go by the stories in Marvel Comics, the Soul Stone was a somewhat sentient creature that could trap souls inside another world.  As “trapping souls” has not really been explored yet in the Marvel Cinematic Universe (MCU) there is no telling what the power may be.

The Time Stone:

Visit the future!  Visit the past! Alter them both so each time it's different!  You can even speed up or slow down the passage of time!  If you are horribly scarred go back in time and don’t have 6 beers before handling an arc welder, or pick up something safer like a nail gun!  I think you get the idea.  Like the Soul Stone, this gem has not been explored yet in the MCU.

So, what’s up with the glove?  Actually, it’s a gauntlet.  And, as an FYI, there are two of them, so it should be gauntlets....plural.  If you don’t believe me watch Thor.  In the Asgard treasure chamber, along with the other dangerous relics, the right glove can be seen.  At the end of The Avengers: Age of Ultron, however, we see Thanos pick up the left glove.  I’ll wait while you go and watch the movies to try to prove me wrong.

When will we see the last two stones?  I would venture to say that they will appear in any one of the number of Marvel movies coming out between now and Infinity War, Part 2.   I make this ridiculously safe bet because I really hate to lose.

If I wanted to just go with just a “semi-safe” bet I would point the finger at Doctor Strange and/or Thor: Ragnarok and/or Guardians of the Galaxy 2 for the other“gem sightings".



The Marvel Easter Egg:  Do The Stones Spell “Thanos”?

There have been rumors that the name of the stones spell out “Thanos”.  So far we have the “T” in Tesseract”, the “A” in Aether, the “O” in Orb, and the “S” in Scepter.  That leaves “H” and “N”.  But what would the names of the stones be?  Helicopter and Numbskull?  Horace and Norris?  wHo kNows?  I’m not going to lose sleep over it, it’s just a rumor and, frankly, a terrible excuse for an easter egg.

And What Comes After?

Once Marvel hits its cinematic peak in Infinity War Part 2, the conclusion that all of the movies have led to, what happens next?  It’s anybody’s guess and, as of right now, Marvel doesn’t have much planned.  All we know is that in July of 2019 the movie Inhumans is coming out.  This is kind of like planning dinner after having a feast for lunch.  What could possibly top what you just had?  I would NOT want to be connected to that film in any way, shape or form as all the reviews will be based on what was previously seen.

Infinity Gems or Soul Gems?  Easter Eggs?  Post Infinity War Movies?  It all remains a big question mark.  All we DO know is that people will wait decades to watch the next part of a good mystery.  Just ask Star Wars.


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Thursday, November 12, 2015

Berserkers - Solo Island, by Darkside Media - A Review

At Rhode Island ComicCon I was fortunate enough to come across the Darkside Media table.  There I picked up a copy of:

Berserkers - Solo Island, First Issue
by Bill Hawk and Daniel Sguiglia




This is yet ANOTHER new release from Darkside Media, a company which I had the pleasure of putting on my radar thanks to the Rhode Island ComicCon last weekend.  Read more about them on their website:

The creators of this comic also have a kickstarter campaign going for their other title, Lovecraft P.I.  (read my review of this title in a previous post)  If you’re a supporter of comic books, and newcomers to the market,  I can’t think of a better cause:
https://www.kickstarter.com/projects/darksidefilms/lovecraft-pi-a-three-issue-limited-comic-series

Author’s Dislcaimer:  I am in no way affiliated with this comic, or in cahoots with anyone affiliated with this comic, and receive no remuneration for this article.  My only request is if you do meet up with anyone from there, tell them The Comic Whisperer sent you.  It won’t get you anything special, but it will sure make me feel good.

Berserkers - Solo Island is set in the 1950s.  To say this was a decade to remember would be selling it short;  the world was still recovering from WWII (which went from 1939 to 1945), the cold war (which went from 1947 to 1991) was just hitting its stride, Texas Instruments developed the first transistor radio (in 1954), and gas was 18 cents a gallon.

The focal point is Navy Ensign Alex Sands and his assignment; travel to Solo Island, (population 2,401) go to a decommissioned weather station, and “keep an eye on things.”  Certainly sounds innocent enough, right?  As it turns out there is a little more to it.

According to Sands’ C.O. ("Commanding Officer” for those of you not fluent in military acronyms) the island used to have a decent fishing and canning business that went belly-up.  Apparently, it also had an indian tribe that ran bootleg hooch operations there during prohibition (which went from 1919 - 1933 in the U.S.).  That went belly-up as well when the Treasury Dept. found out about it in 1931.

As I don’t want to spoil the book for you, however, let’s just say that...well...people died.  Lots of ‘em.  We’re talking mass grave numbers.

Concurrent to the rollout of the plot the cast of characters are introduced:

Ada Tremayne, Bookkeeper and Town Historian
Mayor Stansfield, he’s...um...the Mayor
Doctor Parke, from Woodham University
and
Jacques Ravel, who works with Doctor Parke

All of whom you can almost picture as characters in the game of ‘Clue’.  You know, Colonel Mustard?  Professor Plumb?  Never mind...

There are several things that make Berserkers - Solo Island a great read.

First, it has the look and feel of the times.  For instance, there is a sign in a military office that reads, “If you wouldn’t tell Stalin, don’t tell anyone.”  which brings to mind the old “Loose Lips Sink Ships” mantra.  The lack of technology sticks out like a sore thumb with the use of whiteboards and phones with cords. There is also the dramatic difference in what things cost back then.  When Ensign Sands needs to take a cab ride he is charged $1 and complains that it “seems a little steep”.   Last, the hairstyles and clothing are perfect for the era.

The second thing is the illustrations and the colors used throughout.  It is a very simple illustrative style that reminds one of the artwork found in the Hellboy/Abe Sapien series.  Very few lines with very big effects.  There is also a very limited color palette.  It’s almost exclusively earth tones giving the story an older look and feel.  So, either the colors were VERY well thought out or...I can’t think of a funny alternative, so let’s stick with the “very well thought out” theory.

The last thing that struck me was how very well planned out the island was in preparation for the story.  There is conceptual art by Bill Hawk in the back of the comic that shows a map of the entire island and where everything is.  The only drawback is that without the lens used in the Hubble Telescope it’s impossible to read the microscopic Key to see what everything is.  Fortunately, Amazon had such a lens on sale, so I bought it.

Berserkers - Solo Island is a suspenseful, extremely well drawn, and thoroughly thought out read.  You’ll find that, although not enough is revealed about any character for you to bond with them yet, there is enough of a taste that you want to learn more.  It’s clear that this isn’t just a story to those at Darkside Media, this is comic book engineering with painstaking detail...not unlike their other title, Lovecraft P.I.

My recommendation?  Buy it, Read it, Bag and Board it.  It has all the qualities of the TV show that everyone wants to see as it airs because everyone will be talking about it the next day.  If it’s not the type of series that pulls out all the stops for the preview, then let’s things slip as time passes, we’re all in for a big treat!

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Wednesday, November 11, 2015

Lovecraft P.I. - A Shot In The Dark - A Review

At Rhode Island ComicCon I was fortunate enough to come across the Darkside Media table.  There I picked up a copy of:

Lovecraft P.I (Paranormal Investigator) - A Shot In The Dark - Part 1 of 3
by Fritz Striker, D.W. Kann and Antonio Brandao


As I don’t want to bore you with a long, drawn-out history of H.P. Lovecraft (the author’s name used for the P.I.) one of my favorite horror writers of all-time, I gladly submit the link if you want to explore his fascinating history.

The creators of this comic also have a kickstarter campaign going.  If you’re a supporter of comic books, and newcomers to the market,  I can’t think of a better cause:
https://www.kickstarter.com/projects/darksidefilms/lovecraft-pi-a-three-issue-limited-comic-series

Author’s Dislcaimer:  I am in no way affiliated with this comic or anyone affiliated with this comic and receive no remuneration for this article.  My only request is if you do meet up with anyone from there, tell them The Comic Whisperer sent you.  It won’t get you anything special, but it will sure make me feel good.

Lovecraft P.I. is a pure joy to read if you are the type who loves monsters, mysteries, detective stories, detective slang, beautiful women, great artwork, solid storylines and octopi.

It starts as any detective story would...with a death.  The question is, is it the result of a burglary gone wrong or is it a murder?  The question becomes all the more important by the fact that the victim is the son of the richest, and apparently most loathsome, man in town.  To make matters worse there appears to be a religious sect involved whose leader isn’t fond of the rich guy either.

The thing that intrigued me the most was not the plot, however, but the writing and the artwork.  It read like a true detective story with all the detective slang and the “police versus the infringing private detective” one can handle.  I even found myself looking up some of the slang because I had no idea what it meant. For instance, there is a scene where the mysterious beautiful blonde shows up and Lovecraft asks:

“What can I do for such a lovely bird?”  (I love the whole “bird” thing...it’s so detective-ish)

She replies, as the detective is pouring himself a bourbon,

“I was going to ask for a light, but I’d rather get some of that paint.  If you’re feeling gentlemanly that is?”

What?  Some of that “paint”.  What the heck does that mean?  I had to look it up.  Apparently the word “paint” comes from old west slang.  It refers to how someone who is drunk looks like their nose has been “painted” red.  That’s pretty cool!  Now I will use the term with my friends and watch as they pull out their smartphones to look up what “paint” means.   Ahhhh, the little pleasures in life.

But I digress...

The plot of the story involves the above stated murder during the theft of the “Necronomicon”.  This book also has a fascinating background (I have a copy myself.  Don’t tell anyone, but it’s not the original.  It’s from Barnes and Noble.)  You can read about it here: https://en.wikipedia.org/wiki/Necronomicon  By sheer coincidence this book also appeared in stories written by H.P. Lovecraft!  What are the odds?

So, it’s up to Lovecraft P.I. to put all the pieces together.  Luckily, the mysterious blonde seems to be the one who knows where the pieces might be.  As an aside, she reminds me of Jessica Rabbit from “Who Framed Roger Rabbit” who says, “I’m not bad, I’m just drawn that way.”  To put it bluntly, this blonde is “drawn that way”.  Lovecraft P.I., however, is not.  He is drawn like a typical detective in a dime store novel; he’s a smoker, a drinker, and has a permanent scowl on his age-worn face.  He’s Humphrey Bogart all the way.

Honestly, the only thing that took the shine off this book is the occasional spelling mistake.  Frankly, this is something that plagues many comic books.  Once you get so close to a story, and its script, your eyes tend to ignore words spelled similarly, such as “to” and “two”. (read more of my blogs for shining examples of spelling errors).  That being said, if anyone uses this as an excuse to not purchase the comic they’re just being foolish.   This whole story is too gripping to pass up and it will have a spot on my “pull” list.

In summary, I hope the creators of Lovecraft P.I. love what they do because, in my opinion, they should be doing this for a long time to come.  Lovecraft P.I. is a refreshing step away from the typical superhero story.  It so accurately captures the classic detective that you can practically smell the cigarette smoke coming from the pages.  Truth be told, it also cleverly makes a play at the ever-growing legion of mollusk lovers by including octopi throughout the pages (if that won’t add thousands of buyers nothing will).

My recommendation?  This is a well written, well drawn comic that would make H.P. Lovecraft proud.  I HIGHLY recommend adding this comic to your collection.  I did!

A note to the authors:  I wish you all the luck in the world with this comic.  I truly look forward to part 2 and 3.


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The 3 Buyer “Types” at Any Given ComicCon

I got alot of feedback on the 3 Vendor “Types” at any given ComicCon so, by request, here are the 3 Buyer “Types” at any given ComicCon.



1.)  The “Bargain Hunter” Type:

This is the person that waits until the last day of ComicCon to make his purchases so that he can get everything he wants at deep discounts.

The Issue:

A vendor really does have it rough.  They buy a booth, show up at ungodly hours to set up, hope they sell enough to make the event worthwhile, and then pack up and drag what’s left home.  So, on the last day many vendors will deeply discount prices so that they can make a little money and not have to pack so much for their trip home.  So, bargain minded fans wait until that moment to buy.

The Bigger Issue:

In order for a vendor to come to a ComicCon it has to be worth their while.  The fact is, like any business they are there to make a profit.  Deeply discounting things may lighten the load on the way home, but it also reduces profits.  In order to maximize their income vendors will skip certain events if they have no history of making money there.  This can hurt the buyer in the long run.

2.)  The “Haggler” Type:

This is the person who feels that the price tags are just for decoration and have absolutely NOTHING to do with what they have to pay.  So, instead of offering to pay full price they start every sentence with “Will you take______ for these?”.

The Issue:

Although I have seen this rise to ridiculous levels, this is how our current system of exchange started many moons ago.  Nothing had a price tag and everything was negotiable.  The fact is, however, we have evolved since then.  We now have a system of currency for the exchange of goods.

The Bigger Issue:

Haggling has caused an issue on both sides of the table.  As much as a buyer will offer a lower price, I hear many vendors, when seeing someone looking at the price tags, say, “I can do better than that.”  There are also those vendors who prepare for negotiation by raising prices so they can “haggle down” to a reasonable price.  The fact remains that people are there to make money and they won’t come back if they don’t.  So, although haggling can be good, it can also cause a landslide effect that is bad for everyone.

3.)  The “Thinker” Type:

This is the person who says that they will “think about it” and never do.  They are either too uncomfortable telling the vendor that they don’t feel good about the deal OR they just forget about it while walking around.

The Issue:

I haven’t seen any studies on it, but I would venture to say that 9 out of 10 people who say they are going to “think about it” don’t actually think about it.  There aren’t enough pages to speculate why a person can't just say, “I think I’ll pass” so I won’t even guess.  Needless to say, the words, “I’ll think about it” translate into “a lost sale” to most vendors.

The Bigger Issue:

It’s only polite to let someone know that you’re not interested or won’t do something.  For instance, how would it be if you took your car to a garage, and asked what it would take to fix your car and how much it would cost, and the mechanic said, “I’ll think about it”.  How about if you proposed and your significant other said, “I’ll think about it”.  You may argue that it isn’t the same because the car being fixed and proposal are more serious matters that require answers.  Hogwash.  The vendor’s livelihood is in what you are looking to buy.  If they offer you a deal they are trying to put food in their mouths without losing their shirts.  It’s a serious matter to them.  If enough people turn a deal down it may even force a vendor to change the price on a book and everyone wins.  They make a sale and the buyer gets a good deal.  Isn’t that worth the occasional, “I think I’ll pass?"

It’s actually funny.  After the first of these two blogs I got feedback that there were Vendor “Types” that I missed.  I also fully expect that there are Buyer “Types” that I missed...alas, those are for another day.

Suffice it to say that for every “I’ll think about it” or “Haggler” or “Bargain Hunter” there are those who will just be thrilled they found what they were looking for and pay the asking price.

I’d still like to see a study on all of this...

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Tuesday, November 10, 2015

A Public Service Announcement - Some Things Written In Comics Aren’t True



This is a Public Service Announcement from 
The Comic Whisperer.

Through years of reading and experimentation I have found that NOT all the things you read in comic books are true!  This probably comes as a surprise to all of you.  It’s OK, I was shocked as well.

True, there are some things in comic books that have been accepted as universal truths.  You know, the standard stuff:

  • Be strong, ethical and true to yourself so you can serve as an example to others
  • The good guys tend to win in the end
  • Brains can beat brawn
  • Work as well on your own as you do on a team
  • Mutants and humans will never live together peacefully
They are valuable tidbits of truth to be taken to heart.

But, which of the time honored lessons taught by comic books are falsehoods?  They never make it obvious, so I had to learn for myself.  I did so by attempting some of the things I considered facts and, in some cases, paid a great physical price.

Since I am now fully recovered (and have full use of my hands again) I have compiled a list of things that comics teach that are NOT true (you’re welcome):
  • It’s possible to reduce my body fat to 1% and look like a Greek god.
  • Putting on a cape will keep me from plummeting 20 stories from a hotel window.
  • I can breathe fine in a mask with no holes for the mouth and nose.
  • Covering myself in random chemicals will give me super powers.
  • Someone dressed as a bat will keep me from getting mugged in New York.
  • I can walk into a police station dressed in flashy pajamas and get instant respect.
  • Inhaling a gas of unknown content will activate my Inhuman gene.
  • Setting myself ablaze gains me instant membership into the Invaders or the Fantastic 4.
  • Shooting a bow and arrow in the middle of a crowded city is OK.
And
  • I can taunt the police, get arrested, and easily break out of jail.
I sincerely hope that reading this will help you sort out the lies from the truth.  You owe me one.  

This was a public service announcement from 
The Comic Whisperer.

And please don’t write in asking me if any of this is true.  It is.  There’s a hotel chain that won’t let me stay in ANY of its locations anymore and I’m told the 10 people hit by arrows are recovering nicely.  OF COURSE IT’S NOT TRUE.

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Monday, November 9, 2015

The 3 Vendor “Types” at Any Given ComicCon

I have to admit, I have trouble buying comic books at a ComicCon.   It’s never WHAT to buy, it’s WHO to buy from!  There are 3 vendor types at any ComicCon:



The “Nice” Vendor

These are the vendors who don’t have any concerns about what they make or how high or low the price is compared to market value.  They just want people to like them and they want to be "good to people."

The issue (pun intended):

Comic book pricing is similar to the pricing of real estate and antiques in that it is based on other comparable comics.  So, if I have two of the same comic, in the same condition, they should have the same, or similar, value.  This isn’t usually the case with the “Nice” vendor.  They want to charge well below market value to be nice to people because “it’s just a side business anyway”.

The bigger issue: (this pun was not, in any way, intended)

Buying from them gets me a great bargain (I bought a “first appearance” comic for 25% of its market value).  But, if done in too big a number they can deflate the value of the comic.

The “Market Value” Vendor

These are the vendors that price everything by the “Overstreet Guide” or some other pricing guide.  So, if a Grade 9.2 is valued at $300 then it’s priced at $300.

The issue (this will be the same pun format as before):

Market values are created for a simple reason and that is to make sure that people have a basis for comparison for the item being sold.  For example, I am completely stupefied by the real estate market.  A house I think should be worth $1 million is worth $250 thousand and vice versa.  If it weren’t for a “Market Value Analysis” on a house that I want to buy I could pay way too much (if there are any real estate agents who will charge me way too little, give me a call).  So, a “Market Value” vendor uses the philosophy that they are selling it at what it’s worth and, if I want, I can look it up.

The bigger issue:

A comics value is only what the buyer will pay, not what is in a pricing guide.  Going back to the real estate example, the house could be worth $1 million but no-one in their right mind would pay that price.  Look at what happened when the real estate market bubble burst...lotsa people owing more than what their house is worth.

The “Comic Books Will Get Me Rich” Vendor:

These are the vendors that take advantage of a passionate marketplace by pricing comic books well above what they will ever be worth because someone will pay that price...eventually.

The issue:

This is the exact opposite of the issue with the “Nice” vendor.  If enough of a certain edition sell way beyond market value it can falsely raise the price of a comic or collection.  Then, when the bottom drops out of the market, all sorts of things can go wrong.

The bigger issue:

With people buying at a fevered pace at a ComicCon, and the threat that “if you decide to walk around and think about it, it may not be here when you get back”, people pay ridiculous prices.  At the most recent ComicCon I saw the same comic, in similar conditions, differ in price by almost  $100.  A quick glance at eBay, right now, shows Daredevil #131 (the first appearance of Bullseye) selling as low as $49 and as high as $1,999 (supposedly in the same condition).  I promise you that there will be a buyer for both of them.

So, who do you buy from?  The answer is simple:

There are no “right” or “wrong” vendor types.  In the end it’s you who are responsible for making an informed decision on a comic book purchase and a comic is only worth what you are willing to pay.  Do your homework as you would with any purchase and set limits for yourself as to what you will, and won’t, spend.

Oh, and one more thing;  Go ahead...walk around and think about whether you want to pay that price or not.  I guarantee that if it’s not at that particular stand when you get back it will surely be at another.

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Sunday, November 8, 2015

ComicCons Aren’t Events, They are Happenings.

It seems like everyone has at least one story where they talk about a thought that sounded great in their head but sounded ridiculous when they said it.  This is a story of something I was positive I knew in my head UNTIL I went to say it.




Before we dive into this story, I should point something out.  Despite my love for all things comics this was the first time that I put any significant thought, or money, into cosplay.  As you can see below, The Winter Soldier was nominated to be my alter ego during ComicCon.  I was told that any costume that contributed to covering up my entire face was preferable.  (I could only assume they meant that too many people recognizing me would cause massive outcries for my autograph and private photo sessions.)



But I digress...

I think you will agree that a ComicCon is not just a place that you go or a thing that you do...it’s a living, breathing organism.  Whether you are there to meet the cast of Sons of Anarchy, to explore the many iterations of “Doctor Who”, to dress up as a character who can snuff a planet with a sneeze, or to spend your child’s college account on all the variations of Spider-Man #700, you are with at least one other like-minded person.  How and why that happened was clear in my head until that fateful moment I was asked to explain it to someone.

picture wavy lines and “time traveling” music to signify that I am thinking back in time....

It was during the above photo session that my daughter and I were queried by a woman with a list of questions that, really, seemed to be one big question.

“Why do people do this type of thing?  There are alot of them right?  I mean, what’s the fascination with people coming here and playing dress-up?  What’s the draw of it all?”

There wasn’t a hint of sarcasm or nastiness in her voice.  She was completely sincere.

Ummmmmmmmmmm...what?  Is this a trick question?  Who are you here with and didn’t they explain any of this to you?  

I mean, I knew the answer but I had never been asked to verbalize it before.  I didn’t know there’d be a pop quiz!  I was never good at those things!  That’s why I cheated all the t.... (never mind all that, stay focused on the story)   Looking back, that probably wasn’t the right thing to tell her.  If I could go back in time to that very second and answer it all over again, this is what I would tell her:

A ComicCon is not an event, it’s a happening.  

It’s a gathering of thousands of people who believe that the time for heroes isn’t over, because it never ended. 

They are filled with individuals who don’t question why you’re different, nor are they bothered if you’re the same, they just want their photo taken together.



Are there alot of ComicCons?  Yes, there are.  But when you look at them close enough you realize that one is merely a continuation of another with a small pilgrimage in between for a change of scenery.

They are happenings where the words “stranger” and “introvert” are never used because there aren’t any there.

They are where there are loud flourishes of creativity through ideas, costumes, pencils, and pens...not through sub-committee meetings and majority votes.

Where a signature adds hundreds of dollars to the value of something already priceless.

Where the Joker and Harley Quinn get along and Bucky is fine with, or without, Cap.



It’s where geeks and nerds are only different because they sit at the top of the food chain.

Yes, if I could speak to that woman again it would be completely different and it would include a “thank you” for reminding me not to take things for granted.


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Wednesday, November 4, 2015

I Put the “Needy” in "New Release Wednesday"

If I look at myself honestly, I can say that I’m not a real special guy by any stretch of the imagination.

I don’t put the “fun” in “funeral”

or

the “laughter” in “manslaughter”

or

even the “riot” in “Iron Patriot”

but I DO put the “needy” in “New Release Wednesday”  (OK, it’s a stretch but what can I say?  I’m needy.)




You and I probably have one thing in common, it’s that our week is filled with the following recipe:

           -Wake Up
           -Go to Work
           -Come Home
           -Go to Sleep
           -Repeat 


So, I literally NEED Wednesdays and the new releases that come on that day.




But, as a comic collector/lover/reader how do you maximize your Wednesdays with the local comic book emporium?  Here’s how I do it:

Start by making a list of all the comics you simply must have.  Your list can be as small or as big as your wallet can afford.  My list is big enough that I am trying to work out some way for the comic store to just do payroll deduction so my bill comes straight from my paycheck.  (Just kidding, although the idea has merit.)

Then go to your favorite website that advertises the new releases for the coming week(s).  My personal favorite is www.comiclist.com.  Tell them The Comic Whisperer sent you.  It won’t get you any type of discount or special treatment but it’ll sure make me feel good.

Check the list(s) which are sorted by publisher and see which comics on your list are coming out this week.  Make a shopping list for yourself or a “pull” list for your local comic shoppe.  (As you are probably aware, a “pull” list is a list of comics which you would like the store to set aside for you weekly.  Some stores even offer a discount if you have them pull for you weekly and pay for them weekly.  What they don’t offer is a “pull them weekly, never pay for them” plan.)

If you don’t want every issue offer to send the list of your weekly picks to the local comic store  proprietor and ask them to put the specific comics you wish to purchase aside.

Then, when Wednesday shows its beautiful face, go to the store and pick up your books! (don’t forget to pay for them, many stores frown on stealing)

If you are a collector there is a pretty good chance that if someone even touches your new comics or, God forbid, bends them, you blow a gasket.  That’s why, with my Marvel comics, I just enter the digital comic redemption code and read it on my iPad.  I then do my weekly chuckle at DC for their thought that I will purchase both a physical AND digital version (another of the many dumb decisions by the DC bean counters.)

But I digress...

Last, if you don’t do so already, you can keep track of your collection as it grows.  I highly recommend doing so on a site such as www.comicbookrealm.com if you don’t mind having it just online.  If you want to use an app to keep track, my personal favorite is a comic inventory app put out by CLZ at www.clz.com.  It’s available on the iOS platform, I’m not sure about Android.

One last thing, keep a list of the specific comics you miss, or don’t get that week, so you can shop for them at the next ComicCon!

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