Showing posts with label BOOM Studios. Show all posts
Showing posts with label BOOM Studios. Show all posts

Tuesday, November 17, 2015

Klaus #1 - By BOOM! Studios! - A Review of the Highly Anticipated Title

I can’t think of many comics that have been anticipated as much as this one has...at least in the circles I hang out with.  Even when I went in to pick up my copy yesterday there was someone asking if they could order it or, if by some fluke, there was one in the back room.  He couldn’t and there wasn’t.  The gentleman was not happy.

So, why the anticipation?  It’s hard to say as I have heard a number of reasons.  One is that Grant Morrison https://en.wikipedia.org/wiki/Grant_Morrison is part of the project.  Take a look at the link next to his name and you’ll see why.  That is to say nothing of the illustrative genius of Dan Mora.  Currently working on the hit series “Hexed” he is clearly one of the up and coming superstars in the ranks of the illustrators.  This comic has a style all its own and the artwork is a big piece of that style.





The second is that it is supposed to be based on the origin of Santa Claus based on Viking Lore and Siberian Shamanism.  So, this isn’t your typical ‘Rankin Bass’ production (the older folks in the crowd will get this joke).  Klaus obviously hits the gym, has the ‘Mountain Man’ facial hair, and is accompanied by a wolf named “Lilli”.  This isn’t your dad’s Santa Claus.

Last, it has the marketing draw by being a limited series.  Part of what you learn in Marketing 101 in college is that anything that has a limited number is automatically more valuable than something you can get anywhere at any time.  “Klaus” is a 6 issue series and, by the looks of the first issue, it won’t be easy to wait for upcoming issues.

Wow, all of this and we didn’t even get to the storyline yet.

Let’s get started:

Klaus: How Santa Claus Began appears to be set in the distant past.  Although it doesn’t give any specific years, it is clear that it wasn’t in the past 10 years.  I deduced this through the following:

     -Klaus is dressed in animal pelts, is not clean shaven, and seems to be lacking a smartphone.
     -All payments are done through the bartering of animal pelts, food, or some other form of trade.
      No one takes Apple Pay.
     -The spoiled brat (which we will address a little later) is disappointed with a toy.  I noted with a          
      keen eye that the toy required no batteries, didn’t plug in, and had no wireless functionality.
     -Lastly, the most advanced weapons were spears and swords and there was a distinct lack of  
      atomic colliders.




In other words, it was a perfect setting.  One which requires us to use our imagination.  Now, lets get serious.

The story starts with Klaus (as of right now we don’t know if that’s a first name, last name or only name) visiting a town that had welcomed him in the past.  The town, the town of Grimsvig, appears to have changed dramatically since Klaus’ last visit.

     -Strangers are no longer welcomed.
     -Old Man Gunderson, who used to run the bar, is now gone because he “said the wrong thing one
      too many times.”
     -Food is scarce and the Ale is watered down.
     -Children are no longer allowed to have toys or play in the street.  Even a stone is considered a toy
      and confiscated.

There is also a power structure in town that frowns upon change that would favor anyone but them.  They are Lord Magnus and Lady Dagmar and their spoiled brat of a son (and presumed ruler), Jonas. You will despise them almost immediately to the credit of Morrison and Mora.

Without being a spoiler to those of you who have not purchased and/or read it yet, Klaus is deemed “not welcome” by the leadership.  In a scene similar to “Goodfellas”, Klaus is walked out of town by a group of guards intent on killing him.  This being the Norse version of ‘taking someone for a ride’.  The result is that it doesn’t work out as well as the guards had hoped and Lilli get’s some much needed playtime.  You’ll have to read it from there to see what happens next.

The writing is outstanding in the way that it defines each character from the start.  There are no punches pulled with Klaus being called “Wild Man” by some members in the town, the first time you see Jonas he is smashing a “Yuletime” present that took the town craftsmen all year to make, children are openly beaten in the streets, and the leadership loves no one but themselves.  As character development is crucial to any story it is not always a good idea to try to rush through this part in the first issue.  It was clearly a good idea with Klaus.

The artistry clearly takes on life of its own in Klaus.  The reader feels the cold temperature, the isolation of the town, and the utter hopelessness of trying to take on the wilds on your own.  On one page you are just walking with Klaus and hearing his thoughts, the next you’re in a town fraught with danger, then you’re in a fight scene that involves a wolf and, toward the end, you are traveling with Klaus through what could only be called a technicolor dream.  Whereas some panels are restricted to 3 very bland colors the dream is like an acid flash from the 70’s, displaying every color imaginable.  Klaus seems to try every visual trick imaginable to keep the reader entranced.

There was one thing that struck me hard, however, and that was the similarity between this story and the story of “The Burgermeister Meisterburger” from 40 years ago (seen here http://christmas-specials.wikia.com/wiki/Burgermeister_Meisterburger).  It also had no kids being allowed to play in the streets, toys being confiscated, strangers being unwelcome and food being scarce.  I was almost turned off that it so closely resembled that Christmas special from my youth.  Then I thought about it.  The legends, upon which these stories are based, probably don’t change much in their foundation.  In other words, if I took every version of this story told through the years, I probably wouldn’t see too many variations in the core of the story.  The difference in the stories we hear today about Santa Claus, then, could only be in the interpretations of the characters and the variations on the plot line.  Issue solved, case closed.



The bottom line is that the origin of Santa Claus is a tale told dozens of times in dozens of ways...but this one is different.   This one takes a step away from the “cutesy” approach and dares to look at a variation that’s a little more feral.  Whether you are a fan of solid story writing or an admirer of artwork, or maybe even just someone who loves the origins of myths and legends, Klaus is a must have.

So, put on a fur lined coat, build a fire, snuggle up with your German Shepherd/Siberian Husky (or other wolf variant), chomp on some beef jerky and read Klaus.  It’s a great way to spend a winter’s night.

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Friday, July 31, 2015

The 10 Most Valuable Comic Books in the World

Not long ago a near-mint copy of Action Comics No. 1, the first comic featuring Superman, sold for a record $1 million.  A “Mint” copy would get even more (I honestly don’t know if there are any Mint copies of this comic available.  To get the rating of “Mint” requires standards some new comics don’t even meet.).  This made me wonder about the most valuable comics on the planet, so I looked them up.  


According to The Telegraph, a paper based in the UK, these are the Top 10 Most Valuable Comic Books in the World.  (In other words, I can’t take credit for this list or even some of the comments, this was done by the Telegraph.)

In order to give some perspective on the comics I have entered comments about each one along with their “value” in mint condition.  I put value in quotes because the pricing is subjective; being based on publications deemed reliable and the fact that this may not be what they actually sell for.  The prices listed here are pulled from Nostomania.com and adjusted for grade quality.

With no further delay, here they are in descending order:

10.)  Amazing Fantasy No. 15 - $280,000

Spider-Man debuted on the cover in August 1960, the thing is this comic book series had been scheduled for cancellation.  But, sales at the time showed this comic to be one of Marvel’s highest sellers.  The Amazing Spider-Man was soon launched thereafter.


9.)  Flash Comics No. 1 - $289,000

There are quite a number of DC characters that made their first appearance in Flash Comics, including Hawkman.  The first issue was published in 1940.




8.)  More Fun Comics No. 52 - $316,000

More Fun Comics was more of a comic book anthology than anything else covering 1935 - 1947.  This particular comic introduced The Spectre.  The Spectre has since become one of the more powerful magic characters in the DC Universe.



7.)  Batman No. 1 - $359,000

Detective Comics is where Batman made his first appearance, this is the comic that started his own series, or “self-titles” series.  This was also the comic in which Robin first appeared.  It was released in the spring of 1940.



6.)  Marvel Comics No. 1 - $367,000

This was the first-ever Marvel Comic.  It included the first appearance of Carl Burgos’ android superhero the Human Torch, not to be confused with Johnny Storm who is the human superhero the Human Torch.




5.)  Detective Comics No. 1 - $405,000

This was originally an anthology comic.  This comic, released in 1938, featured stories that revolved around the “hard-boiled detective” types of stories.  This is the series that went on to feature Batman and Superman.  A fun fact is that the “DC” in DC Comics were originally an abbreviation for Detective Comics, and later became part of the official name.




4.)  All-American Comics No. 16 - $430,000

Known for having the first appearance of Green Lantern, this comic was published in 1939.  This Green Lantern (whose name is Alan Scott) is not to be confused with the Hal Jordan Green Lantern of the Green Lantern Corps.  Although he is not a member of the Corps, he taps into the same energy using the magical “Starheart”.



3.)  Superman No. 1 - $671,000

This was the first comic dedicated to Superman only and was published in 1939.  Superman’s first appearance, however, was in Action Comics #1 (see below).



2.)  Detective Comics No. 27 - $1,380,000

The first book to feature Batman...ever.  It sold for 10 cents and is now valued at over $1 million.  That’s a good return on investment.  It was published in 1939.



1.)  Action Comics No. 1 - $1,390,000

The remarkable thing about this comic is not only the price, but it was the first comic book to feature a superhero of any kind.  You could say this was the one that started it all.  It was published in 1938 and is, arguable, the grandaddy of all comics.


It’s fun looking at the value of comics and how far the industry has come.

I’m looking forward to the wars continuing regarding who will have the largest share of the comic book marketplace.  It means that the companies will get more creative, offer captivating storylines, and work harder to please it’s loyal followers.  Are you wondering how much of a share Marvel and DC have in the comic arena?  So was I.  Here’s what I found:

In 2013, Marvel held a 33.50% share of the comic market and DC had a 30.33% share.
In 2008, Marvel held a 40.81% share of the comic market and DC had a 29.94% share.

It’s interesting to note two things:

1.)  It wasn’t too long ago that between Marvel and DC they held over 80% of the comic marketplace.  According to these numbers they held 70+% in 2008 and a 64% share in 2013.  It’s declining.

2.)  The gap between DC and Marvel has closed dramatically.  The gap was about 11% in 2008 and only a little over 3% in 2013.

This can only mean good things for comic lovers.  With Marvel www.marvel.com and DC www.dccomics.com running neck and neck and newer companies like BOOM Studios www.boom-studios.com, Darkhorse Comics www.darkhorse.com, Alterna Comics (which has a new comic I can’t wait for called “The Chair’.  It comes out in August 2015)  www.alternacomics.com, and Avatar Press www.avatarpress.com, comic book lovers all over the world can look forward to many years of good reading to come.