Showing posts with label Marvel. Show all posts
Showing posts with label Marvel. Show all posts

Friday, July 1, 2016

Earth X, Universe X, and Paradise X Revisited - Part 1

When I was a kid (a long long time ago) dinosaurs were easy to name and remember.  The reason?  There were only a couple they knew of; Tyrannosaurus Rex, Stegosaurus, Triceratops, Pterodactyl, and a few others.  Now, there are dozens, if not hundreds that they can name, classify and put in Jurassic Park.

Comic books were no different.  You had Action Comics, Superman, Batman, Strange Tales, and a maybe a dozen or so more.  Now there are hundreds and hundreds.

The thing that never changed, though, was the backstory.  Superman was still from Krypton.  Spider-Man was still bitten by a radioactive spider.  Batman's parents were still shot and killed in an alleyway.  Frankly, it was rare that you ever revisited a backstory let alone change it.

Now things change almost weekly.

DC is having yet another rebirth hot on the heels of its Convergence event.

Marvel is talking changes again hot on the heels of their Secret Wars.

But what about a FUTURE story instead of one redefining the past?

This is the classic series that defined them all....Earth X.



If you don't remember, Earth X and it's sequels Universe X and Paradise X, sought to tell the story of a dystopian future of the Marvel Universe.  What made this so different from the rebirths and backstories of today?  It was done as a story told from one being to another and it was done in exquisite detail with no stone unturned or question unanswered.

As a matter of fact it may be the only time such a detailed story was told in such a manner.

For those of you still in the womb when these were released you should know that it was told in 3 parts; Earth X, Universe X, and Paradise X.

Earth X was done in 1997 and involved multiple storylines...none of which will be spoilers if you wish to continue reading.  In the story, Earth X is one of a number of planets that is implanted with something called a Celestial egg.  As with any story of this magnitude one expects the presence of a Watcher and, not to disappoint, Uatu is recruited.  This is where things go astray.  During certain Earth changing events Uatu is blinded and needs to recruit a new Watcher to take his place.  He calls on X-51 (Machine Man) and brings him to the moon to be his eyes.

What does X-51 witness?  Changes that redefined the Marvel Universe in a drastic manner.  (Spoiler alert!)

-Captain America kills the Red Skull and quits the Avengers
-Namor kills Johnny Storm
-The Absorbing Man absorbs Ultron
-Norman Osborn is elected President
-Thor is changed into a woman

And the list goes on and on.  It ends with Galactus consuming the Celestial egg after killing the Celestials and X-51 realizing Uatu's true purpose (to watch over the Celestial egg because one of the other Watchers killed an embryo).  In response he destroys Uatu's ears and decides to destroy all the Celestial eggs.

Here endeth Earth X and the scene is set for Universe X.  Look for my next blog!

Monday, March 14, 2016

I'm Back and the Blog Will Never Be The Same....

Due to health and family issues I was forced to take a hiatus from writing this blog.

The bad thing?  My inbox filled up with the questions I normally answer while writing the blog.

The good thing?  Reading them all at once gave me an idea of where I should be directing the blog.

So, in an effort to please the most people I am taking the blog in a different direction.  In the past I have written about topics that were up to the minute and relevant.  It turns out that what most people wanted were not me pontificating about these things, instead you wanted more of a history and information on comic books and their characters.  I even had a couple of requests to put something together that could be printed or saved that would make a reference guide of some kind.

One suggestion was to put out a bio on a character or metahuman group each day that could be saved or printed in book form.  Another suggestion was to put together a history of comic books, illustrations, and/or important figures in the comic book arena (such as Stan Lee) that could be saved or printed as a reference book.

I aim to oblige everyone I can.  One thing I need to remind everyone before I get started is that all of the characters and material have some sort of trademark or copyright on them and nothing I print or write can be sold for money.  It's for your personal use only.

So, without any further ado, let's get started.  Today we start with the top of the alphabet with the character that is arguably the strongest in the Marvel Universe:

The Abomination:

Real Name:                Emil Blonsky
Occupation:               Criminal
Base:                           Several locations, including the New York City sewer system
Height:                       6 ft. 8 in.
Weight:                      980 lbs.
Eyes:                          Green
Hair:                          None




First appearance:     Tales to Astonish #90, April 1967

Emil Blonsky was born in Zagreb, Yugoslavia.  He trained as, and became, a spy who infiltrated the US Air Force.  Specifically, the base where Bruce Banner was stationed.  (As an aside, it was at this point in Dr. Banner's life where he was attempting to commit suicide.)

Emil broke in to the base and found the equipment being used by Dr. Banner in his gamma radiation experiments.  He then decided, in all of his infinite wisdom, to use the equipment on himself.  I think it was the old, "I'll use it on me and then attach all those who have wronged me" philosophy.  He got it half right becoming the Abomination.

In an effort to take over the world the Abomination wound up fighting the Hulk numerous times with the first fight ending when he was kidnapped by the Stranger.  In a moment of complete lack of thought the crew of the starship Andromeda saved him.  To give his thanks, the Abomination acted as their First Mate until they returned to Earth.

As the Hulk demolished him time and time again the Abomination lost courage and self confidence causing him to make the New York City sewers his new home.  But he would have his own form of vengeance.

As he was envious of the supposed happiness shared by Bruce and his wife Betty Banner (and we all know how happy THEY were) he wanted to bring it to an end.  His solution?  Poison Betty Banner.

In the end, however, everything works it's way out.  If you remember, the Red Hulk would up shooting, and killing, the Abomination with a special gun designed to kill the Hulk.  And who was the Red Hulk?  None other than Betty's dad.

As a dad I would have done the same thing.


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Wednesday, December 23, 2015

Namor is Dead - Does Anyone Know Besides Me?

It was a week ago today that I read Squadron Supreme #1.



As I read it I thought to myself, "This is freakin' HUGE!  This is going to send ripples across the Marvel Universe the likes of which haven't been see in quite some time!"

That was a week ago.  A quiet, frantic-due-to-the-holidays week.  A week of...nothing.

Where were the headlines?  Where was the interview with the writers?  Where was the huge funeral and ceremony befitting the ruler of Atlantis?

There weren't any.  Not even a 21 "Imperius Rex" salute.

But for those who haven't read it, and I've just spoiled it entirely, let's take a step back and see what happened in that fateful Squadron Supreme.

Out of the untold billions who died in the whole "Secret Wars" phenomena, the Squadron Supreme lives, as does Namor, and they are bent on making him pay.  Let's review the players, shall we?

Kyle Richmond, Nighthawk of the late great Earth-31916
Dr. Spectrum, of the late Earth-4290001
Marcus Hilton, Hyperion, of the late Earth-13034
Jeff Walters, Blur, of the late Earth-148611
Zara Shelton, Power Princess, of the late Earth-712

and

Namor, of the Earth that seemed to start it all.

The story begins as the Squadron Supreme renders judgement and passes sentence on Namor.  To quote Hyperion, "We all agree that Namor should pay for what he did--to you...and to this planet all the prior times he attached it.  AND for the threat he continues to pose."  In other words, Namor is to die.

Battle ensues with Namor questioning why he, and his city, are being attacked.  He thinks aloud, "Now I recall talk--of how you'd taken up with other OUTCASTS from MISPLACED realities.  I must say, Hyperion...your actions lack NUANCE from this association."

Then, the punch heard 'round the world.

Namor lands a blow on Hyperion that sends him clean out of the picture and into the position of executioner.

While the members of the Squadron Supreme keep Namor busy, Hyperion uproots the entire city of Atlantis...Namor's world.  Being a gentleman, Hyperion shakes all of the citizenry into the ocean before smashing it into bite size bits of Atlantis.

Namor, enraged, attacks Hyperion and...this is where it happens.  The moment all Namor-haters have looked forward to for ages!  A graphic moment.  A universe changing moment.

The moment where Hyperion decapitates Namor, the Sub-Mariner.


And the artists spare us none of the graphic imagery.


And we find some took pleasure in it while others did not.


But the Squadron Supreme offers no apologies


So, one has to ask, why the lack of press?  He is certainly known the world over.  A brief history shows that Namor (actual name:  Namor McKenzie) debuted in 1939, created by Bill Everett for Funnies, Inc.

In Namor's first comic he is, surprise surprise, an enemy of the US.  His first cover was Marvel Mystery Comics #4.


He was famous.  Here's a synopsis straight from Wikipedia:

Namor was listed as the 88th greatest comic book character by Wizard magazine.  IGN ranked Namor as the 77th greatest comic book hero of all time opining that "With the Atlanteans and X-Men both seeking their place in a dangerous world, Namor's role as leader is more vital than ever", and 14th in their list of "The Top 50 Avengers".  In 2013, ComicsAlliance ranked Namor as #16 on their list of the "50 Sexiest Male Characters in Comics".

He was also infamous:


It leaves one to wonder if this was, perhaps, a dream sequence, or maybe Namor is joining the "dead only to be reborn" club of superheroes?  Or, maybe, I was the only one that got the comic where Namor died.  In the comic everyone else got, he lived.

WHY DIDN'T THIS CAUSE MORE RIPPLES IN THE COMIC BOOK OCEAN???

I mean, no matter what you thought of Homo Mermanus he deserved a better send-off than this.  Marvel should have, and still can, make this a book deal.  If they don't they're leaving money on the table.

Let me end with a more important question, however.  Can we expect more things like this to come of the Squadron Supreme and other areas of the Marvel Universe?  Are we now solving the "Should Superheroes Kill?" question?  Should there be other villains, or heroes, put out to pasture?  (OK, that's 3 questions).  I, for one, would not be opposed.

As a matter of fact, I have a list of people I think should go the way of Namor and his head....


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Tuesday, December 15, 2015

What Exactly is a “Comic Whisperer?”

This has been quite the month for The Comic Whisperer.  The blog is now getting over 25,000 views monthly and the Facebook page and Twitter page are growing faster than ever.

One other thing that is growing faster than ever is the pile of messages asking, “What exactly is a COMIC WHISPERER?”  So, in an effort to explain this you’ll need to be bored a little with my background.



Hence, for your eyes only, here is a brief background that would be included in a biography about me if one were being written.

When it comes to comic books, my love for them spans almost 50 years.  

My earliest memories are of seeing wild comic books running on my uncle’s ranch.  There I would spend countless hours observing the behavior of the comic books, whether they were alone or in packs.  My obsession didn’t end there however.  

I started watching endless hours of TV and movies that featured highly trained comic books.  By my teens I knew exactly what industry I wanted to be in...pharmaceutical sales.  BUT my love for comics continued.

Putting everything on the line I moved to Connecticut and opened a shop specializing in the breeding, grooming, and training of comic books.  As my skills grew I took on the challenge of rehabilitating aggressive and hard to handle comic books.  My groundbreaking work is not mandatory reading in any learning institutions anywhere.

Now, almost 50 years later, it is agreed by 4 of the 5 voices in my head (the last voice was absent the day the vote took place) that I am the world’s undisputed comic book expert.  

I swear when I am appraising a comic book that I can hear them speaking to me.

I have no idea what biographer they didn’t pick to write this book, but I hear they were a very experienced writer.

So, the mystery is no more and the light of truth has shown upon you.  I look forward to you pretending to enjoy what I write!


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Saturday, December 12, 2015

Remember When Movies and Comics Focused on Quality Not Demographics?

Recently there was an article published on comicbookresources.com and here is the title:

“Wonder Woman” Will Bring Women To Superhero Movies, Says Time Warner CEO




And when the most recent Fantastic Four movie catastrophe came out there was an article published on comicbook.com entitled:

Fantastic Four: Why Casting A Black Actor As The Human Torch Might Make A Movie Better




And then there are the lures set out for teens, like this one from birthmoviesdeath.com:

DC Decides Superheroes Are For Girls Too

The byline on this one spells things out bluntly:

The comic company launches a multimedia attempt to capture the teen girl market





And the list goes on and on about how movies and comics, by targeting a certain demographic or choosing the right ethnic group, will now rake in millions where prior it was doomed to failure.  This may work for cigarettes and clothing, but it’s not a “one-size-fits-all” rule.

I’ll spell it out for all the Harvard Business Masters and Doctorate recipients who can’t get it on their own.

1.)  Women currently make up 51% of the comic reading population.  
2.)  As a matter of fact, data shows that men make up the majority of comic book readers until they reach their 50’s, then women make up the majority of the readers.  
3.)  If you look at ethnicity Hispanics take the prize with the most readers, followed by Asian Americans, and then African Americans.  

(All information gleaned from www.graphicpolicy.com which covers the numbers behind comic books.)

So what does it all mean?  Whatever you want it to.  I could us it to prove that as women get older they are more likely to read comic books, I could try to prove that male and female readership relies heavily on the “generation” they were born in, or I could use common sense and toss all of this information out the window.

What about the demographics are they clearly missing?  (These answers are courtesy of me and a whole lot of common sense.)

Before we get to that, however, let’s look at the generations previously referenced as I will be using them in the upcoming paragraphs:

          1927 - 1945:          Silent Generation or Traditionalists           
                                        (currently 70 - 88 years old)
          1946 - 1964:          Baby Boomers                                               
                                        (currently 51 - 69 years old)
          1965 - 1983:          Generation X or the Busters                        
                                        (currently 32 - 50 years old)
          1984 - 2002:          Generation Y or the Millenials                    
                                        (currently 13 - 31 years old)
          2003 - ?:                Generation Z or the Digital Generation     
                                        (currently up to 12 years old)

It appears to me that the ones with the most expendable income for comic books, comic movies, comic collections, etc. are Baby Boomers or Gen X’ers.  They are also the ones that make up a significant part of the parenting group.  Keep this in mind as we move on to the “Ages” of comic books:

          1500s - 1828:          The Pioneer Age of Comics
          1883 - 1938:            The Platinum Age
          1646 - 1900:            Also known as the “Victorian Age”
          1938 - 1945:            Golden Age
          1946 - 1956:            Atom Age
          1956 - 1970:            Silver Age
          1970 - 1984:            Bronze Age
          1980 - 1987:            Also known as the “Iron Age"
          1984 - 1992:            Copper Age
          1992 - Present:       Modern Age

You will see that the Baby Boomers and Gen Xers are getting their first comics in the Golden Age of Comics.  They are now the ones talking to their kids about comics, spending their time watching superhero movies together with their kids and some of them even own comic book stores.  In other words, the groups of people who were introduced to comics in their Golden Age are now the ones that are guiding the opinions of their children in regard to comics, controlling the drawing, editing, distribution and buying and selling of comic books.

Wow!  Two HUGE generations of people coincidentally come to being in the Golden Age of Comics and live through the subsequent ages to today.

I can hear your thoughts, “Amazing!  The comic industry has a huge chance here!  Don’t they?  I mean, it seems like they might...wait....I don’t know what you want me to say...”  It’s OK, let me help by telling you that if you had people who LOVED comics at the head of the companies you would be right.  But you don’t.  You have “business people” who only see dollar signs.

Getting away from the demographic nonsense and back to increased revenue lies in the form of a question.

“What was it that attracted you to comics and made you want to read and collect them?”


If the buyers/collectors were honest, they would admit the following truths:

     -The genders had NOTHING to do with your purchase.  My guess is that in your youth you could tell me how many male and female characters there were, but it had NOTHING to do with your concern for diversity.  It’s because there were barely more than 50 superheroes in existence.

     -The ethnicity had NOTHING to do with your purchase.  I would bet a substantial sum of money that when “Black Lightning” was introduced you didn’t think, “Finally!  An African-American character!”  You said, “Wow, he is so cool!” And, do me a favor, save all of your racist arguments for some other blog.  I don’t entertain such things here.

If the publishers were honest, they would admit the following truths:

     -Ethnicity and gender were only considered to make sure no one was offended.  For instance, Stan Lee was concerned about the color of the Hulk because he didn’t want anyone to feel offended.  The Hulk’s color had more to do with ink issues and being offensive than sales dollars.

     -Their concern was making sure they kept the reader interested, not represented.  At the end of many books from the Silver Age you can read their previews of upcoming editions bragging about what was coming next and any new character or storyline introductions.  There was a pride in writing comics and a desperation to please the reader that showed through.


So, why is it that companies are focusing more on demographics, even if it means letting quality slide?   It’s because they have made the choice to reduce creativity and development in order to make sure that everyone is happy and represented, including all ages, ethnicities, religions, genders, species, hairstyles, etc.  In the short run this may seem like a good idea, but in the long run it’s a loser every time.  The reason is simple, if you try to please everyone then you’re not going to make anything that is honestly yours.

Now, let’s get back to the question that led us here:

Remember When Movies and Comics Focused on Quality Not Demographics?

Yes, I do.

I remember WANTING to see what happens next, to the point of getting anxiety as the release date moved closer.  Now, Marvel is starting to ask a sad question at the end of its books:  “You Want To Know What Happens Next?”.  It’s sad not only because it’s a dumb question, but also because I no longer know if I want to.

I’m not the sharpest axe in the shed, but I do know that there are certain things that need to be considered now that didn’t matter as much back then.  I  know that if large enough groups of readers start to drop their subscriptions it could mean trouble.  I also know that in this litigious society there are dangers that weren’t as...well....dangerous as they were back then.

I also know that there are large groups of us who grow tired of Civil War II (Oh, you didn’t know this was coming?  Well it is....), Contest of Champions II, Secret Wars II, Batman vs. Superman for the 300th time, seeing a new Batsuit every comic, and on and on.  What happened to originality?  It met diversity.

Do an exercise with me for just a minute.  Humor me.

Sit back and think for a minute of when you were much younger.  Remember how excited you got to buy the next comic in your favorite series.  You went to the closest store, spent your last cent, and tore into that comic like it was a candy bar.  You read through with reckless abandon, not caring about creases and tears, and gasped in awe as you read the ending.  Your next stop was your best friend’s house to talk about what happened and talk about how you would have done it.  Then the bad news...you had to wait another week to see what happened next.  Life was so unfair!!!

Do you remember that?  If you’re looking to increase sales don’t worry about markets or demographics, worry about bringing back that feeling.  The first step:  divide up the grad students you have working for you (who have never read or had interest in a comic book) into groups of 10.  Replace each group with 1 person whose love for comics surpassed everything else when they were younger.  Step two:  let the artists and writers keep their characters and give them more artistic license.  Give those two steps 6 months, then we’ll move on to step 3.

I want to end with a saying that is not mine, it’s by someone named “Anonymous”.  He/She has written alot of pieces that I like:

Work for a CAUSE, not APPLAUSE.  Live life to EXPRESS, not to IMPRESS.  Don’t strive to make your presence NOTICED, just make your absence FELT.

Are you listening publishers?


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Tuesday, December 1, 2015

3 Reasons the World Needs Superheroes!

Probably one of the biggest questions I get asked is, “Why comic books?  There are thousands of literary masterpieces for you to enjoy, there are more classic movies than you could enjoy in 10 years time and, let’s face it, comic books are for kids, aren’t they?”

It’s a fair question.  Frankly, if you look at my office it does look like the bedroom of a 10 year old child with the way it’s decorated with comic book memorabilia.




But as you and I know, it’s more than just about comic books.  It’s about the artwork, the storylines, and the role comic books have played in the history of our country.

But mostly it’s because now, more than ever, we need superheroes.

The response then is, “We need superheroes?  What do you mean?  Why?”

Here are the Top 3 Reasons that the World Needs Superheroes:

1.)  There’s Someone For Everyone:

At last count there were somewhere around...well...I don’t really know how many superheroes there ever were or are today.  Let’s just say there’s been alot of them and there still are.  The point of this imprecise measurement is that, if one looks carefully, there is a superhero to which each of us can relate to.  For instance, I have a friend of mine who simply loves Batman.  He likes the mystery, the goth look and the attitude of “The Bat”, along with the fact that he has no superhuman abilities but is one of the most respected of the DC Universe.  The fact is Batman and my friend are nowhere near the same in look, attitude, tenacity, “gothness”, physique, etc.  But that’s the beauty of it.  You don’t have to be the hero to want to model them or to have your own “inner Batman”.  The bottom line is that there is someone for everyone to enjoy, want to model themselves after, and admire.  Even if you’re a dog.


2.)  You Can Be That Hero:

I know what this sounds like and, no, I don’t mean that you should put on a cape and jump off a 20 story building thinking you can fly.  What I mean is that the role-playing games, the ability to have a costume shipped to your door for a costume party or ComicCon, and video games allow you to enter the world of your favorite heroes.  Games like HeroClix where you can actually collect your favorite heroes and villains to fight against one another, or like FutureFight where you do the same thing but on your iPhone or iPad in a virtual world, or, perhaps the most fun, is dressing up and going to a ComicCon for people too look at you like you’re the actual character.

Here are Nick Fury and the Winter Soldier at Rhode Island ComicCon in 2015.




Some may laugh at this part, but even the “jocks” of the world go in search of their favorite players playing card, set up simulated teams in Fantasy Football and wear their sports hero's jersey.  The only difference is that their heroes are in sports where ours are in comic books.

It’s been studied, and been found to be a fact, that there is a psychological benefit to being able to step away from reality, even for just a short period of time, and to try to forget our stresses for awhile.  What better way to do that than to dress as your favorite character who you’ve watched in comic books for years.  Add to that the number of people who ask to have their pictures taken with you while in costume.  It makes you just feel good.

3.)  We Just Don’t Have That Many People To Look Up To Anymore:

I am going to upset alot of people with this section, so read at your discretion.  This is the only warning you will get.

As a kid it seemed like we had so many more people to look up to.  President’s of the US seemed a little more honest.  Football players weren’t caught with drugs or assault and battery as much.  You weren’t always hearing about scandals in corporations, or at least not as many, as you do today.  There were a couple of movie stars that seemed to have some redeeming qualities.  The list goes on and on.  I remember having a bunch of people I looked up to, admired, and wanted to model myself after.  Today I couldn’t name one.

There are two basic reasons that we don’t have as many role models as we did before.  The first is what programmers call “feature creep".  What this means in technical terms is that a project starts with a certain number of features that need to be built in but, as time goes on, people want more features added on for no additional price.  How does that fit into role models?  It’s simple.  We find someone we like and would be a potentially good role model.  Then you find out "he smoked pot in college".  Is that really so bad?  I mean, they don’t do it anymore and they have many more redeeming qualities than bad ones, so smoking pot isn’t so bad...or is it (here is that feature creep.  he was OK at first, but now another quality has ‘crept in’)?  Didn’t you just compromise on your principles?  It’s easier to compromise than to look for a new role model, right?  Now, let’s say that same person also cheated on his wife.  But since then he has reformed his ways and donated 100 libraries across the country.  Now is he still role model material?  Sure, he cheated on his wife, but he’s reformed and, thanks to him, millions can read!  Are there extra tidbits of knowledge changing your view on your “role model”?  So, reason one that we don’t have many role models is that it’s too easy to justify why a person can have a fault we wouldn’t normally accept.

The second reason is the most simple.  There just aren’t many people who deserve the status of role model.  Here’s a conversation I had with a 6 years old once after a State of the Union Address by the President.  The little boy started with, what I thought, was a simple question.  I was dead wrong...

“What is he looking at all the time.  Shouldn’t he be looking at the camera?”

“He’s looking at a teleprompter.  It tells him what to say.”

“Doesn’t he already know what to say?  He knew he was going to be on TV.”

“Well, yes, but he wants to make sure he says the right words.”

“So, they aren’t his words, they are the right words.”

“Well, it’s not that simple, but yes.”

“So, the speech isn’t his?”

“Not usually, he has a speechwriter.”

“Why doesn’t the speechwriter say it?”

“Because it’s the President’s job.”

“With the speechwriter’s words?”

“Um, don’t I hear your mom calling you?”

It wasn’t too long ago that people were who they were.  They meant what they said, they said what they meant, and it was easy to point out true blue heroes in your own eyes.

Then there’s the reason that makes me want to hurl.  They are worth too much revenue to someone for them to be taken from the limelight.  So, no matter what crap they pull, it’s overlooked.  ‘Nuff Said.

So, to get back to the question proposed in the beginning...why do we need superheroes?  We need them because...well....we need heroes.  Now more than ever.  In an age where trusting someone gets harder and harder, where integrity has a dollar sign, and you can no longer answer a small child’s relatively simple questions about why things are the way they are, we need heroes.

Tell me that the world doesn’t need a Superman or a Captain America right now.  People whose only reasons for doing anything is just because it’s the right thing to do.  Not for money or prestige or to be the highest paid superhero on the block.  They simply do things because they want to do the right thing.

We could use a few people like that, don’t you think?

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Wednesday, November 4, 2015

I Put the “Needy” in "New Release Wednesday"

If I look at myself honestly, I can say that I’m not a real special guy by any stretch of the imagination.

I don’t put the “fun” in “funeral”

or

the “laughter” in “manslaughter”

or

even the “riot” in “Iron Patriot”

but I DO put the “needy” in “New Release Wednesday”  (OK, it’s a stretch but what can I say?  I’m needy.)




You and I probably have one thing in common, it’s that our week is filled with the following recipe:

           -Wake Up
           -Go to Work
           -Come Home
           -Go to Sleep
           -Repeat 


So, I literally NEED Wednesdays and the new releases that come on that day.




But, as a comic collector/lover/reader how do you maximize your Wednesdays with the local comic book emporium?  Here’s how I do it:

Start by making a list of all the comics you simply must have.  Your list can be as small or as big as your wallet can afford.  My list is big enough that I am trying to work out some way for the comic store to just do payroll deduction so my bill comes straight from my paycheck.  (Just kidding, although the idea has merit.)

Then go to your favorite website that advertises the new releases for the coming week(s).  My personal favorite is www.comiclist.com.  Tell them The Comic Whisperer sent you.  It won’t get you any type of discount or special treatment but it’ll sure make me feel good.

Check the list(s) which are sorted by publisher and see which comics on your list are coming out this week.  Make a shopping list for yourself or a “pull” list for your local comic shoppe.  (As you are probably aware, a “pull” list is a list of comics which you would like the store to set aside for you weekly.  Some stores even offer a discount if you have them pull for you weekly and pay for them weekly.  What they don’t offer is a “pull them weekly, never pay for them” plan.)

If you don’t want every issue offer to send the list of your weekly picks to the local comic store  proprietor and ask them to put the specific comics you wish to purchase aside.

Then, when Wednesday shows its beautiful face, go to the store and pick up your books! (don’t forget to pay for them, many stores frown on stealing)

If you are a collector there is a pretty good chance that if someone even touches your new comics or, God forbid, bends them, you blow a gasket.  That’s why, with my Marvel comics, I just enter the digital comic redemption code and read it on my iPad.  I then do my weekly chuckle at DC for their thought that I will purchase both a physical AND digital version (another of the many dumb decisions by the DC bean counters.)

But I digress...

Last, if you don’t do so already, you can keep track of your collection as it grows.  I highly recommend doing so on a site such as www.comicbookrealm.com if you don’t mind having it just online.  If you want to use an app to keep track, my personal favorite is a comic inventory app put out by CLZ at www.clz.com.  It’s available on the iOS platform, I’m not sure about Android.

One last thing, keep a list of the specific comics you miss, or don’t get that week, so you can shop for them at the next ComicCon!

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Tuesday, November 3, 2015

Sell it all! Two weeks ago, if possible.

It hurts me to say this, but:

If you own a comic book store or you are looking to get any type of return on your comic book “investments”,  sell now.

The industry as we know it will be unrecognizable 5 years from now and not in a good way.

The readers of this blog aren’t dumb, you know that sales of any consumer goods have their peaks and valleys.

Look at Apple.  20 years ago you couldn’t give their stock away.  The computers were priced very high and they were known as computers graphic designers used, not corporations.  If you held on to your Apple stock, however, you are probably doing well on the investment.

Comic books are also hitting their peak right now.  The movies are coming out, the cartoons are all over the place, DC has all but cornered the market on animated motion pictures, and product licensing is running rampant.

But don’t let it fool you, it’s already hit it’s peak....you’re now looking at the downside of the comic industry as we know it.

Why?  It’s simple, really.  The bean counters are running the show at the Big 2 and all they are interested in is the almighty dollar.  The problem is no one appears to understand that it’s an industry that survives on originality and collectibility.  Neither of which the Big 2 have sustained.  Let’s look at some examples:

-The Fantastic Four franchise, the literal first family of comic books has been made a joke of in both comic books and the movies.  Has anyone ever looked forward to a Fantastic Four movie once the first one proved to be just this side of mediocre?  Does anyone even care if there is ever another Fantastic Four movie?  How many more times will Marvel license out to a company that could care less what they do to the brand in production?



-The #1 of virtually any series anymore is rarely a #1.  With DC and Marvel “resetting” their respective universes they are releasing a whole new series of #1 comics....again.  How many more #1 X-People and Justice League of Whatever can there be?  How many different uniforms, haircuts and power-sets can Superman have?  How many times are we going to clone Peter Parker and reinvent the story behind Spider-Man?  How many more of Batman’s family members can the Joker kill?  It’s getting to be a joke (pun intended).



-It’s a matter of supply and demand.  Many collectors will know exactly what Silver and Bronze Age comics to buy.  The first appearance of Wolverine, Hulk, Thor...any of the classic characters really, is valuable for one reason:  there just aren’t that many out there and even fewer that are in great condition!  If there were still 5 million copies of the #1 Spider-Man, and they were all in Near Mint condition, it just wouldn’t have the same value.  Today, the market is flooded with #1s and places like eBay make them easy to come by if you miss them in a store.  Why do you think variants were introduced?  Fewer of the variants makes them more valuable.  But, trust me, the well is running dry.  The desire to sell as many as possible makes current and future value remarkably bad.



-The lack of creativity is maddening.  I know people who have stopped reading Marvel comics because of the blatant money grabbing involved with Secret Wars.  Seriously, how many different comic storylines can one series have?  I also know people who have stopped reading DC because of the lackluster ending to Convergence.  I know I’ve mentioned this in other blogs, but changing a character’s sex or race or religion does not count as creativity.  So, what do you have to look forward to as a Marvel fan?  Will Iron Man design his 1,916th armor?  Maybe one that has a Coke machine built-in for mid-fight refreshment?  If you’re a DC fan are you anticipating yet another Justice League, maybe Justice League Geriatric for the older heroes?  I will give credit where credit is due, Telos, Secret Six and New Suicide Squad by DC are fantastic, so kudos to DC for at least trying to make something different (yes, I know that Suicide Squad and Secret Six have been out many times before, but there are differences with the new ones and they are outstanding).  And, seriously, if I read another interview with “creators” who say they are doing something “new”, I ’m going to scream.



-Last is product licensing.  What product can you buy today that doesn’t have some sort of comic book hero twist?  Build-a-Bear has a superhero line of teddy bears.  You can get toothpaste, toothbrushes, shampoo, bubble bath, and any other type of hygiene products with some superhero or another.  Listen, I’m not complaining.  I love superheroes all over my house, but talk about diluting your brand!  My son even has Avengers Cereal in our pantry.  Do you know there are a number of sports stars that limit the number of autographs they give out or jerseys sold?  It keeps them valuable.  It keeps people looking for them and paying good money for them.  



Please don’t get me wrong, I have been a collector for 45 years and still look for Superman stuff to put around the house, but if you are looking to make money on your comic book stuff....sell it...like right now.

But I digress...

So, who will win in the end?  Company’s like Image.  Company’s that come out with new creations often and allow their creators to keep the rights to their creations.  It wouldn’t surprise me to see Image become the top comic company in the next 5 - 10 years.  Although The Walking Dead has been commercialized, it hasn’t been overdone.

Would I like to see an Autumnlands:  Tooth and Claw movie?  Absolutely!  Do I want the characters on a band-aid, not so much.



Place your bets on the future of the “heir apparent” Image Comics.  It’s where my money is.

Disclaimer:  I do not work for, nor do I own any part of Image Comics.  This is my opinion only and does not, but should, represent the opinion of a majority of the planet.

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Wednesday, October 28, 2015

Relationships, Past and Present, In The Marvel Universe

It may appear to be frightfully unoriginal of me to reproduce the work of others (hey, c’mon, I don’t do it that often) but if someone has done it perfectly why reinvent the wheel?  I just want to assure you that this is NOT my creation, but I am a big fan of it.

Here's an infographic from WebHostingBuzz outlining every kiss, relationship, and marriage that has ever occurred between Marvel superheroes.   SPOILER ALERT:  Wolverine has the most.  (I told you there was a spoiler alert.)

(and, is it me or have there been far too many characters who’ve been in a relationship with Vision and....hold on...someone actually actually dated Toad?  And when did She-Hulk marry Man-Wolf?  This whole thing is rather disturbing...)



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So, Who Owns The Rights To What Comic Characters At This Point?

With all of the nonsense going on with movie studios and publishing houses it can be horribly confusing which characters belong to who right now.  In an effort to clear this whole thing up I will lay out what was compiled by The Geek Twins as of February of 2015.  Although a couple of changes have taken place since then, this is still a pretty accurate depiction.  The pictograph was also created by The Geek Twins for your edification.

Without further ado, here is who has the rights to who:

Here's a more detailed breakdown of some of the specific characters, not all, owned by each studio via The Geek Twins:


20th Century Fox
Doctor Doom
Human Torch (Johnny Storm)
Invisible Woman
Mr. Fantastic
The Thing
Alicia Masters
Willie Lumpkin
Puppet Master
Silver Surver
Nova (Frankie Raye)
Galactus
Cable
Scarlet Witch
Quicksilver
Deadpool
Agent Zero
Angel
Angel Salvadore
Arclight
Azazel
Banshee
Beast
Bishop
Callisto
Colossus
Cyclops
Darwin
Deadpool
Deathstrike
Emma Frost
Erik Lehnsherr
Gambit
Harada
Havok
Iceman
Jason Stryker
Jean Grey
John Wraith
Jubilee
Juggernaut
Katherine Pryde
Kenuichio Harada
Kid Omega
Lady Deathstrike
Landry Jones Cassidy
Leech
Lord Shingen
Lucas Bishop
Magneto
Mariko Yashida
Moira MacTaggert
Multiple Man
Mystique
Nightcrawler
Norubo Mori
Phoenix
Professor X
Psylocke
Pyro
Quill
Riptide
Rogue
Sabretooth
Sebastian Shaw
Shingen Yashida
Silverfox
Storm
The Blob
Toad
Viper
Wolverine
Yashida
Yukio
Man-Thing
These are some of the Marvel characters Sony Pictures will now share with Marvel Studios:
Spider-Man
Doctor Octopus
Green Goblin
Harry Osborn
The Lizard
Sandman
Venom
Betty Brant
Dennis Carradine (Buglar)
J. Jonah Jameson
Ben Parker
May Parker
John Jameson
Joseph “Robbie” Robertson
Mary Jane Watson
Gwen Stacy
Mendel Stromm
Flash Thompson
Black Cat
Rhino
Elektro
Again, please keep in mind that this compilation is NOT my work.  I am merely sharing it as a solution to a question I get asked over and over again.  Many thanks to The Geek Twins for sorting this out.

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Friday, October 23, 2015

When Michael Tried to Buy Marvel

Some of you may not know this but Marvel was courted by numerous buyers in the past, the oddest of which was Michael Jackson.  Yes, THE Michael Jackson.  And when I say “oddest” I don’t mean he was odd as a person, I meant the reason he wanted to buy Marvel was odd.

As most of you know (and if you don’t I’m stunned) Michael Jackson was a phenom for most of his life.  He started performing in his early childhood and was considered “The King of Pop” until the day he passed.

As you also know, Michael was famous for making interesting purchases and attempting to make interesting purchases.  For instance, you know that he had his own amusement park at his home and that he purchased the copyrights to The Beatles’ music catalogue.  You are also probably aware of the rumors of him offering to buy the “Elephant Man’s” bones.  What you may not know is that Michael wanted to buy Marvel as well, but for reasons that go a little beyond the ordinary.  Here’s what happened:

Although Michael was known for his popularity in the 80’s, he was also hugely popular in the 90’s.  During that time Batman was reigning in the cinemas and Marvel was struggling to make ends meet.  Frankly, Marvel was doing just about everything wrong.  In order to try for a few wins Marvel was trying to get the Spider-Man and X-Men movie projects underway.

For the Spider-Man movie, Marvel was talking to James Cameron.  Who they weren’t talking to was Michael Jackson, who desperately wanted to be cast as Spider-Man.  Yes, THE Michael Jackson wanted to be Spider-Man.  Can you picture that?  If not, here’s some help:


(Author’s note:  these pictures are NOT my handiwork...thankfully.)

As Michael knew this was NOT going to happen without him having some clout at Marvel, he decided to try to buy it.  After all, Marvel was facing bankruptcy at the time anyway, so why wouldn’t they consider him a potential suitor?  

As a quick aside, Michael’s rationale may not have been on target here.  You see, the owner of the company doesn’t get to make casting decisions, the Director and the studio get to do that.  Licensing the property to the studio does not a Casting Director make.  Perhaps he would buy Marvel and make himself the Director?  Who knows.

But I digress.

Michael decided to pursue the purchase and started to build a relationship with Stan Lee Media.



If you’re not familiar with Stan Lee Media’s origin, here’s a review.  Stan Lee Media was born out of an effort between Stan Lee and a business partner to buy Marvel outright.  This came from the fact that a new CEO has screwed Stan out of everything he negotiated with Marvel over the years.  This included a life-time salary in exchange for Lee not pursuing legal claims of ownership of the characters he created.  This is why Stan Lee Media (who Stan Lee no longer has any affiliation with) seems to think they can make legal claims to Stan’s characters.  They argue that Stan’s contract with Marvel was terminated, along with the stipulation that he couldn’t sew them for ownership.  I won’t go into any further detail because I either don’t know it or it’s too much extra content for this article (you decide).

Again, I digress.

Michael went to Stan hoping that Stan could throw his weight around and secure him, and his production company Kingdom Entertainment, the rights to produce a Spider-Man movie.  In fact, Michael secured a promise from Lee that if Michael purchased Marvel, Lee would help him run it.  In a further effort to get the ball rolling, Jackson hired a financial firm to help with the negotiations.

The problem was that Toy Biz CEO Ike Perlmutter (Toy Biz being the company that owned Marvel at the time) and Lee were not on the best of terms.  So, the fact that Lee was going to help run the company for potential owner Jackson, did not sit well with Ike.  To try to kibosh the deal Ike did what any vindictive owner would do, he raised the price to $1 billion (WAY more than Marvel was worth at the time).

Jackson decided to walk away.  The rest is history...Toy Biz sold to Disney for $4 billion (about 30% more than what the company was valued at at the time of the sale).

To add to the whole weird scenario it should be noted that Spider-Man wasn’t the only character for which Michael had lobbied.  He also wanted to play Professor X in the X-Men movie (eventually played by Patrick Stewart).  


(Author’s other note...this picture isn’t my handiwork either...thankfully.)

He also wanted to be “Agent M” in Men in Black 2.  As a consolation prize, Michael got a cameo  as himself in the MIB2.  Not quite what he had hoped for, but at least it was something.